Janneker Lawrence

This study critically analyses the symbolic implication of the ‘lamp’ and the ‘whirlpool’ in the novel Lamps in the Whirlpool by Rajam Krishnan, through a psychoanalytic framework.

This study aims to explore the perceptions of English major students on translation through language translator devices, its use as a learning strategy, and the relationship between these perceptions and translation practices. 

Menopause remains one of the most culturally silenced transitions in women’s lives, often positioned at the margins of literary representation. While puberty and motherhood occupy significant narrative space, menopause frequently appears as absence, metaphor, or decline. This paper examines how the cultural invisibility of menopause in literary narratives influences women’s...

This paper focuses on the character development of Moses in the Bible. It examines how individuals who initially exhibit hesitation, fear, or self-doubt gradually transform into effective leaders through personal growth and experience.

This paper proposes to delve into the mythologies of Japanese culture and their significance in order to aid in the deeper understanding of the characters in the visual text, Spirited Away, written and directed by Hayao Miyazaki.

This paper aims to examine the psychological trauma and the internalized racism in The Bluest Eye by Toni Morrison through a psychological lens.

The paper titled Navigating Selfhood: The Quest for Self-Actualisation in Abdulrazak Gurnah’s The Last Gift journeys into the theme of selfhood and the complex journey toward self-actualisation in Abdulrazak Gurnah’s novel The Last Gift.

Literature has long served as a mirror to the human psyche, revealing the intricate workings of memory, trauma, identity, and emotional conflict. This paper examines how literary narratives represent the fragmented nature of the human mind, particularly in relation to trauma and memory reconstruction.

This paper examines the idea that ‘a daughter is another person’s wealth’ is a sentiment that has always stalked women in lifeand death.

Paul Ricoeur’s concept of narrative identity from Oneself as Another (1992) provides a framework to understand Ankita Sharma’s psychological journey in Preeti Shenoy’s Life is What You Make it. Ricoeur explains that identity is not fixed but is shaped through the narration of one’s life experiences.