The Panopticon Principle: Surveillance and Psychological Control in Divergent
This abstract examines the application of Jeremy Bentham’s ‘Panopticon’ principle as a framework for psychological control in Veronica Roth’s Divergent. In the dystopian ruins of Chicago, the faction system functions as a macroscopic Panopticon, where the constant threat of being observed forces citizens to internalize societal norms and regulate their own...
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